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Chairman's Annual Report for 2022John Burton

            2023         
Review of Meg Dobbins's Queer Economic Dissonance and Victorian LiteratureBrenda McKay

            2023         
Review of Jillian M. Hess's How Romantics and Victorians Organized Information. Commonplace Books, Scrapbooks, and AlbumsJoanne Shattock

            2023         
Review of Nancy Yousef's The Aesthetic Commonplace: Eliot, Wittgenstein and the Language of Every DayA. G. van den Broek

            2023         
Review of Margaret Harris' and Matthew Sussman's Antipodean George EliotJohn Rignall

            2023         
Review of Clare Carlisle's The Marriage Question: George Eliot's Double Life. A Philosophical Search for George Eliot's Figure in the CarpetBeverley Park Rilett

            2023         
Address at the George Eliot Birthday Luncheon Weston Hall Hotel, Bulkington, 20 November 2022Jonathan Ouvry

            2023         
Note: Maggie Tulliver in the South SeasMargaret Harris

            2023         
The Conflict Between Originality and Conventionality: The Liberated Individual in The Mill on the Floss and J. S. Mill's On LibertyKunyu Tan

            2023         
Revelation Through Dissimulation: The Relevance of Pseudonymity in George Eliot's WritingsYohko Nagai

            2023         
Foleshill Friends: George Eliot and Mary Sibree CashSimon Sargent

            2023         
George Eliot Fellowship Essay Poster 2023George Eliot Fellowship

            2023         
George Eliot, Middlemarch, and CoventryDavid Paterson

            2023         
Coming to Conclusions in MiddlemarchRosemary Ashton

            2023         
Notes on Contributors 2023Editors, GER

            2023         
Front Matter 2023: 54Editors, GER

            2023         
The Real George EliotJune Skye Szirotny

            2022         
George Eliot Fellowship Essay Poster 2022George Eliot Fellowship

            2022         
Notes on Contributors 2022George Eliot Review

            2022         
Editor's Note 2022

            2022         
Japanese Branch ReportNane Hama

            2022         
Books Received 2022

            2022         
Chairman's Annual Report for 2021John Burton

            2022         
Review of Josephine McDonagh's Literature in a Time of Migration: British Fiction and the Movement of People, 1815-1876John Rignall

            2022         
Review of Elaine Auyoung's When Fiction Feels Real: Representation and the Reading MindGeorgia Walton

            2022         
Review of Katherine Judith Anderson's Twisted Words, Torture and Liberalism in Imperial BritainA.G. van den Broek

            2022         
Review of Robert Muscutt's The Orange Hatchback and the Secret Recollections of George EliotMargaret Harris

            2022         
Review of BBC Radio 3's The Middlemarch Monologues, 20 March 2022Gail Marshall

            2022         
Review of Coventry's The Great Middlemarch Mystery, 7-10 April 2022Lucy Hobbs

            2022         
Review of Abbey Theatre's The Undoing of Polly Button, 19/20 February 2022Sheila Woolf

            2022         
'The Make-Believe of a Beginning': A Reading of Silas MarnerGill Gregory

            2022         
Review of Franco Marucci's George Eliot's 'The Lifted Veil', A Sequential and Contextual ReadingBrenda McKay

            2022         
The Photograph(s) of George EliotBeverley Park Rilett

            2022         
Sibyls, Salons and Spinoza: The Philosophical Fiction of George Eliot and Fanny LewaldEve Mason

            2022         
You know nothing, dear Hetty, of the world in which I must always live': Placing Hetty and the Role of ToponmyDelphine Gatehouse

            2022         
The Importance of Location in the Portrayal of Rachel Posyer and Dinah Morris in Adam BedeRobert Muscutt

            2022         
'Borne Along by a Wave': The Mill on the Floss as Music Drama (Prize Essay)Connor Page

            2022         
Front Matter 2022: 53

            2022         
Japanese Branch Report 2020Shota Nakajima

            2021         
Chairman's Annual Report 2020John Burton

            2021         
[Review] Jacqueline Lernie-Bouchet, Identité multiple: Dans le pas de George EliotJohn Rignall

            2021         
[Review] John Mullan, The Artful Dickens: The Tricks and Ploys of the Great NovelistsBeryl Gray
[Review] Sylvere Monod and Alain Jumeau, Middlemarch precede de Le Moulin sur la FlossJohn Rignall

            2021         
[Review] Constance M Fulmer, George Eliot’s Moral Aesthetic: Compelling ContradictionsIssy Brooks-Ward 

            2021         
[Review] Adam Rogers, Middlemarch: Epigraphs and MirrorsA. G. van den Broek

            2021         
[Review] The George Eliot Archive, Editor and Project Director Beverley Park Rilettvan den Broek, A. G. 

            2021         
In Memoriam: Ken Newton (1940-2021)John Rignall 

            2021         
Sympathy, Morality, and Metaphor: ‘Janet’s Repentance’ and ‘Recollections of Ilfracombe’Masako Ishii

            2021         
The Mill on the Floss: A Tragic StoryJune Skye Szirotny

            2021         
George Eliot's Spanish in the Spanish GypsyMaria P. Cisneros 

            2021         
Northrop Frye and the Genre of MiddlemarchJustin Keena 

            2021         
George Eliot's Debt to Richard Wagner: Daniel Deronda and the Flying DutchmanVictoria Addis

            2021         
George Eliot's ‘Network’ of ReadersGail Marshall

            2021         
The Portraits of a Lady: Images of George Eliot by Sir Frederic W. BurtonBeverley Park Rilett 

            2021         
George Eliot's Enchanted Real (Prize Essay)Georgia Walton

            2021         
Notes on Contributors 2021

            2021         
George Eliot Fellowship Essay Poster 2021

            2021         
Front Matter 2021: 52

            2021         
Japanese Branch Report 2019Ayako Tani

            2020         
Chairman's Annual Report 2019John Burton

            2020         
Address at the Wreath-Laying in Westminster Abbey 22 Nov 19Gabriel Woolf

            2020         
Chairman's ResponseJohn Burton

            2020         
Letter to the Editors —Viera CarrollViera Carroll

            2020         
Letter to the Editors--Margaret EgrotMargaret Egrot

            2020         
Letter to the Editors--Bob MuscuttBob Muscutt

            2020         
Letter to the Editors--John McRaeJohn McRae

            2020         
Letters to the Editors: Beginning NoteEditors, GER

            2020         
In Memoriam: Constance M. Fulmer (1938-2020)Denis Baylis

            2020         
In Memoriam: Joan Bunn (1933-2020)John Burton

            2020         
In Memoriam: Ruth Margaret Harris (1928-2020)Michael Harris

            2020         
[Advertisment] George Eliot Fellowship Essay PrizeEditors, GER

            2020         
Notes on ContributorsEditors, GER

            2020         
Front Matter, George Eliot Review 2020: 51Editors, GER

            2020         
They Read With Their Own Eye from Nature's Own Book': Imagining Whales in Impressions of Theophrastus SuchEmily Butler-Probst

            2020         
George Eliot's Humans and AnimalsNancy Henry

            2020         
Cara Bray, George Eliot, and the Animal WorldBeryl Gray

            2020         
George Eliot's Provincial Life: New Acquisitions at the Beinecke LibraryRuth Livesey

            2020         
George Eliot and the Country HouseEsther Fernandez-Llorente

            2020         
Finding George Eliot in Prison: Reflections on its Moral LifeAlison Liebling

            2020         
George Eliot According to Women Then and Now: A Comparison of Observations by Her Contemporaries and Women TodayConstance M. Fulmer

            2020         
How I Came to Write A Novel About George EliotKathy O'Shaughnessy

            2020         
Cervantes, George Eliot, and Milan Kundera's The Art of the Novel: An Introduction to a Panel DiscussionK. M. Newton

            2020         
Vincent van Gogh and George EliotJohn Rignall

            2020         
George Eliot 2019: An International Bicenteniary Conference. College Court, Leicester, 17-19 July 2019Sarah Barnette

            2020         
[Review of] Queen Victoria & George Eliot; Lives & Afterlives, 1819–2019. Loughborough University, 24 May 2019Eleanor Dumbill

            2020         
Two Centuries of Anglo-German Correspondences: Celebrating Queen Victoria, Prince Albert, George Eliot and Theodor Fontane [Conference Review]John Rignall

            2020         
[Review of] Loving George Eliot: Her Life in BiofictionMargaret Harris

            2020         
[Review of] David Paterson, Fair Seed-Time: Robert Evans, Francis Newdigate and the making of George EliotGraham Handley

            2020         
[Review of] George Eliot: Interdisciplinary Essays: A Bicentennial Collection. Ed. Jean Arnold and Lila Marz HarperBrenda McKay

            2020         
[Review of] M. Joan Chard, Victorian Pilgrimage, Sacred-Secular Dualism in the Novels of Charlotte Brontë, Elizabeth Gaskell, and George Eliot A. G. van den Broek

            2020         
[Review of] Thomas Albrecht, The Ethical Vision of George EliotIssy Brooks-Ward

            2020         
[Review of] Still Crazy About George Eliot 200 Years LaterJen Davis

            2020         
[Review of] Michael Hollington, George Eliot ‘Middlemarch’, Clefs concours. Anglais LitteratureJohn Rignall

            2020         
Review of George Eliot and the Politics of National Inheritance by Bernard SemmelJohn Rignall

            1995         
A Community of Interest: The Story of the George Eliot Fellowship, 1930-2000Adams, Kathleen 

            2000         
Japanese Branch ReportNanae Hama

            2019         
Chairman's Annual Report 2018John Burton

            2019         
Review of Trenton B. Olsen's Wordsworth and Evolution in Victorian Literature: Entangled InfluenceA. G. van den Broek

            2019         
Review of Renata Kobetts Miller's The Victorian Actress in the Novel and on the StageJohn Stokes

            2019         
Review of Lyndall Gordon's Outsiders: Five Women Writers Who Changed the WorldBrenda McKay

            2019         