George Eliot Review Issue 53: 2022

George Eliot Review Online 2022 Contents
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Front Matter 2022: 53
‘Borne Along by a Wave': The Mill on the Floss as Music Drama (Prize Essay)
The Importance of Location in the Portrayal of Rachel Posyer and Dinah Morris in Adam Bede
‘You know nothing, dear Hetty, of the world in which I must always live': Placing Hetty and the Role of Toponomy
Sibyls, Salons and Spinoza: The Philosophical Fiction of George Eliot and Fanny Lewald
The Photograph(s) of George Eliot
Review of Franco Marucci's George Eliot's 'The Lifted Veil', A Sequential and Contextual Reading
The Make-Believe of a Beginning': A Reading of Silas Marner 
Review of Abbey Theatre's The Undoing of Polly Button, 19/20 February 2022
Review of Coventry's The Great Middlemarch Mystery, 7-10 April 2022
Review of BBC Radio 3's The Middlemarch Monologues, 20 March 2022
Review of Robert Muscutt's The Orange Hatchback and the Secret Recollections of George Eliot
Review of Katherine Judith Anderson's Twisted Words, Torture and Liberalism in Imperial Britain
Review of Elaine Auyoung's When Fiction Feels Real: Representation and the Reading Mind
Review of Josephine McDonagh's Literature in a Time of Migration: British Fiction and the Movement of People, 1815-1876
Chairman's Annual Report for 2021
Books Received 2022
Japanese Branch Report
Editor's Note 2022
Notes on Contributors 2022
George Eliot Fellowship Essay Poster 2022
The Real George Eliot